![]() You had said this all started with “a tone and a vibe,” and what I see in the end is this wild genre-bending mash-up with so many world-building details. ![]() It's making me think of something I read in our production notes. ![]() I have a feeling those details are going to keep people coming back for multiple viewings. Garner conversations with themes and also with the details. I think a film like this, I believe, is widely commercial, but also the quality of the filmmaking and storytelling definitely hopefully could garner conversations as well. I would say the other thing is commercial projects as well for us in terms of we've been involved with a lot of critically acclaimed projects. There's always gonna be an opportunity for really uniquely positioned, great new voices and we just want to be a part of that and continue to find the right platforms for great voices to be out in the marketplace. KING: Look, with the chaos of what's happening through our industry, I think they're finding opportunity. So what are some of your changing goals and approaches to make sure that you are always seeing your original mission statement with MACRO through? So you brought up your company, and I have a little bit of a broader question with that because, yet again, this industry is going through a seismic shift in terms of how we're making movies and how we're distributing them. I’d probably walk around with a Shonen mask, you know? TAYLOR: Or My Hero, or something like that. I feel like I'm more on some, like, Dragon Ball Z. I mean, I think the way you took it, I was like, “Oh.” Because I was gonna say something like Back to the Future, but I guess I don't think about that while I'm walking around. Those are three things I touch on quite a bit. Law, I reference that quite a bit in terms of a character on a show that inspired me. In life, the themes of Braveheart, you know, that sits. KING: Alright, so there's a book called Why Should White Guys Have All the Fun? I think about that every day in the business that I'm building. I think everything is going to be a new Final Destination. There was narrative inspiration, like when we were writing it They Live and The Truman Show had a baby, you know? JUEL TAYLOR: That's kind of multiple buckets. For you two individually, what is the movie, the book or show that you refer to most and helps you process this crazy world? PERRI NEMIROFF: I love how many characters in this movie process things via books, TV, shows and movies. For more from the creative team behind They Cloned Tyrone, check out Perri’s interview in the video, or check it out in the transcript form below. With things in Hollywood seemingly changing by the minute, the pair also talk about the changing landscape of the industry. They also talked about how teamwork revealed hidden potential in the script. In a new interview with Collider's Perri Nemiroff, director Juel Taylor and producer Charles King talk about how instrumental Foxx, Boyega and Parris were in shaping They Cloned Tyrone into the film audiences will soon get the chance to watch.
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